Thursday 31 December 2020

I Await The New Year

With an hour to go till midnight, and this year's end, I'm in a reflective mood. 

The one thing 2020 wasn't, was the year of perfect vision.

One thing 1st January 2021 won't be, is a clean break with the past.

What can be new about a new year? What can be made new in our lives - the days which include loss and growth, hopeful watching, and cautious fear?

Each day of it. Each dawn. Each chance to wake into morning and take it as a gift. 

Yesterday I walked in sunshine on snow-covered hills. My feet slipped on ice, but when I stood still and looked up, I was dazzled by clean light. Today, I cycled down avenues striped by the shadows of stripped trees. My feet grew cold, but when I stopped in sunlight, I warmed as if I'd the capacity for stillness, like a lizard on rock.

Much will be the same tomorrow as it has been in this passing year, yet I am resolved to find something new in each day of it.







Sunday 13 December 2020

I Commit To Paper



On Wednesday evening, I launched I Buy A New Washer (and Other Moderate Acts of Independence) by Zoom, from my bathroom. I decided on the bathroom location as the book has its origins in my learning to change a tap washer back in 2014, albeit in a different bathroom. I was so proud of my achievement that I started a blog in order to let people know about the experience. 

From that act of minor independence to now, I have written around 250 entries, now edited to a book of 52 short essays which span the course of a year. You can read the endorsements on the back cover - they'll give you a flavour of what it's about. 

I enjoyed  the book launch enormously, not least because so many people I care about were able to attend. I also like my book, which (as those of you who have published your work) is not guaranteed. I like the feel of it, the cover design, the thickness of the paper, guaranteeing no show-through. I like the colour of the font in which the title and my name appear (teal, I think).  It's a physical treat to pick it up, feel the smooth cover, open it to its first white, thick, blank page, turn that page to see the title again. It's still too early for me to look much further. Now that I've committed to paper, I know I won't be able to hover my cursor over a sentence to insert a missing Oxford comma, if there is one. 

Committing to paper meant eschewing the photographs I often use in the digital realm for drawings by John Rae. These lift the whole to a cheerfulness which is more Billy Collins than Philip Larkin, something I could not have achieved alone. Whilst I admire Larkin, of course, and all the other slightly depressed poets, you can bet Collins has had more fun. 

From deepest Somerset, Krakow, Edinburgh, and Wem they logged in to wish the book well on its journey into the world, and what is more, they brought their own drinks. I told you they were a generous crowd. For Penny in Western Australia, it was 4.30 am the next day. My editor Ross Donlon (Mark Time Books) was even further ahead -- 7.30 am in Castlemaine, Victoria. This skillful display of time and distance travel was all part of the ride.

Although moving from the digital (this blog) to the page (that book) may seem counter-cultural, for me it's been necessary at a time when so much of my time is spent staring at a screen a couple of feet away from my varifocals. The book weighs in at 210g. I know this because I've weighed it (plus packaging) in order to post it out to readers. 

If you would like to buy a copy of your very own, they cost £10 each including second class UK postage. If you want to get a first class postal service, add 50 pence. Email me at liz.lefroy@btinternet.com to let me know your requirements. If it's a gift, I can giftwrap and add a card for another £1 and post it straight to the recipient. If you live outside the UK, I can work out the postage rates. 

You can also find I Buy A New Washer (and Other Moderate Acts of Independence) in the Poetry Pharmacy in Bishops Castle, and Pengwern Books, Shrewsbury. And there is a lending copy at Shrewsbury Library, (although the librarian I've been dealing with has taken it home for the weekend, so you may have to wait your turn). I will sort out a wider means of distribution in the new year. 

I'm deeply grateful to those who suggested this project to me, in particular Ross Donlon and Anna Dreda. I am so grateful to you, my readers. Some of you -- Peter, Kev, Anna, Graham, Helen, Morar, Mike (and it turns out, Zoe!) -- have been reading diligently for years. 

When I started this blog in 2014, I thought it would be a playground in which I could practise my poetry writing skills. What I've discovered is that playfulness / mucking about / having fun / being spontaneous (and moderately independent) suits me. 




Saturday 5 December 2020

I Bring Glad Tidings

In an age of bad news, 24 hour news, Twitter gobbets, news segments, and filets, glad tidings seem preferable. Glad Tidings of Great Joy, sang the angels, that first Christmas. "Fake news!" say some, but that's missing the point. If angels bring glad tidings, I've encountered more than a few recently. 

I've started a list to explain what I mean:

1. Outside In, a group of dedicated, thoughtful, experienced and willing-to-be-vulnerable individuals whose lives are not easy for a variety of reasons, have won a social care accolade. I work with this group, and they are phenomenal. Watch the glad tidings here: https://www.youtube.com/watch?v=TM__2YgCD7U You'll also see other people from across social care settings in Wales who give of themselves, and do so gladly. 

2. Students at St Hugh's College, Oxford, said, 'So what?' to lockdown, and compiled a virtual advent Nine Lessons and Carols: https://www.youtube.com/watch?v=bfPr1ZMDAoQ  as did many other colleges and universities in the UK and beyond. These young people, who've spent a term in various forms of isolation, make themselves vulnerable by singing in their rooms, recording, splicing it all together. They know it will be flawed, and it's extra beautiful as a result. Reaching the top notes without a hitch is not an angel requirement. They choose to use the privileges of their youth to record a service which has brought comfort and joy to the 281 people who've watched it so far. 

3. Those scientists who've been working on vaccines, vulnerable to criticism and false claims of conspiracy. Those health professionals who are working out how to get it to, and in us, routinely working 12, 14 hour days, vulnerable to exhaustion. 

4. Teachers going into schools day after day, carrying on regardless, working harder than ever, risking the vulnerability of exposure to C-19 on our behalf. 

Angels: they're everywhere, shown up not by bright light and lofty positions, but by their willingness to engage with the grit and the grist of human experience.  

I'm so glad I know so many of them.





Thursday 26 November 2020

I Review Lucy Ingrams' Light-fall

All That Is Most Hopeful

Light-

           fall

by Lucy Ingrams

Flarestack

After heartbreak, the thought of another love, a tender love, can become a dry territory to be skirted, or walled off. Not in Lucy Ingrams’ Light-fall. Here, ‘loved me    loved me not’ exist in the same breaths and curvatures, to love, have loved, ‘is to carry    is to be carried away.’

Reading these poems again and again has enabled for me a different vision of what it is to be alert and sentient in the world after a thinning love: they are open with courage, even when (especially when?) ‘weary of flowers’.

Bound in the familiarly confident Flarestack style, each page holds levers, phrases and twists of sound, which shift and interact to unlock sensations of light and thorn, and above all a strange hope.

It is rare to find a pamphlet in which every poem sings, and I enjoyed so much about this from the very start. Its lines flex, supple as the sea rendered in the exquisite opening poem, Swimmer, right up to the final exhalation of Blue hour. The rich imagery of intimacy and distance ranges across landscapes and seasons, with an originality that requires close attention.

‘Can / you-in-me really heal?’ asks Ingrams in Lammas. Yes. And what is more, she has made the intimacies of a love’s passing available to her readers as a balm, beautiful as skylark song, strawberry light, and greenwood.


Light-fall is available from flarestackpoets@gmail.com



Sunday 8 November 2020

I Spy With My Little Eye Something Beginning with ...

 V                                                                                    V                        v

There were a dozen or more,        V          v                                           v

                                                            V            V

                                                                                       some larger than others.

We looked up to see Vs in the sky at 4.15pm on Saturday 7th November towards the end of our socially-distanced bike ride. Geese, distant at first, flew closer, then directly overhead, honking, purposeful. 

                                               V                                                     v

                      V

                                    V v                                                           V

We stopped on the cycleway. Dusk was approaching fast and the fly-past had all the exhilaration of a murmuration - thousands of geese in exact formations, heading north-west along the river.

I took out my phone, my fingers numb with cold. I snapped a wonky photo, then checked the BBC news website, saw that the Democrats had taken Pennsylvania in the US Election.

We pushed the rules, fist bumped, joined in with the geese, shrieked for wonderful happiness. 

The geese passed over, leaving us with a multiplicity of V-signs:

V : for get lost and good riddance.

V : for victory. 

V : for very, very, very, very, very relieved. 



Tuesday 3 November 2020

I Party With Friends

Five of my friends have birthdays today - I'm wondering if I can celebrate, if the rule of six still applies for the moment.

At least I have been able to message my Longest-Serving Friend without breaking any rules. The girl I met at camp when we were 10, turns one month older than me today, as she always does. What we had in common back then has taken us 45 laughter-filled years to uncover, and we're still counting. We bonded over ping pong tables when we first met at camp, girls in a boys' world. Eight years later, we met again as freshers at Durham University. From that time on, we took better care of staying in touch, though she still beats me at ping pong. 

It's my other longer, Longest-Serving Friend's birthday too (2). And the birthday of my longer Longest-Serving Friend's son, James (3 - pictured below with the best of smiles and smartest of waistcoats), and of another Very Long-Serving Friend, Rebecca (4). The fifth is Amy (5), friend, colleague, former student. 

3rd November - the day on which Long-Serving Friends are born. Take note, if you want to avoid me.

My friend Paul is (2), though by some definitions, he should be (1). Paul has always been 14 years older than me, and when we first met, I was 6 or 7, and he was organist and choir master at my father's church, and he to tell me and brother Matthew off repeatedly for chatting in choir practice. So it's a semantic point, whether he is, in fact, my actual longest-serving friend. I argue that I was a pain-in-the-neck for the first 10 years at least, only graduating to friendship in my late teens.

Paul might be responsible for this blog's theme, however, as he allowed me to practise early DIY skills at his home, when, with my brothers, I helped to paint (mainly) his walls. And he brought apple juice when I had pneumonia (twice). I was around 8/9/10 on those occasions, and very ill. Paul re-labelled the apple juice 'Lizzy's Apple Juice', knowing how important that level of detail was in a large family. I can see it still, in a green bottle, sitting beside my bed, reassuring me that one day I would feel well enough again to drink it.  

Paul played at my wedding - the organ was half-built, though you'd never know it. It was over thirty degrees of heat, and he played baroque,  making best use of the notes available to him. He also played the organ at my mother's funeral three months later. I became goddaughter to Ruth, his daughter, and he is godfather to Jonty, my son. When they were growing up, spending new year's eve at Paul and Deborah's home was the highlight of my sons' year. And in that very hot summer a couple of years ago, he and Deborah provided refreshments at Jonty's post-A level piano concert. Happy birthday, Paul. Musician. Physics teacher. Steam engine fan. Reassuring and loyal friend. 

So rule of six, tier 2 or 3 or not, I'm going to party, celebrate friendship, eat cake on your behalf, toast you all, 3rd November babies, with a glass of something sparkling, and later, blow out the candles, make a wish that our friendships in the coming year will continue long, longer, longest. 





Tuesday 27 October 2020

I Search For Hope

Outside, it's dark, and has been for five hours now. The clocks have gone back to GMT, and after work time has become the type for staying in. 

Each evening, a new breed of driver shatters the otherwise quiet town centre of Shrewsbury with the sound of deliberate backfiring, unsilenced motorcycle exhausts. It's been going on for weeks, this dystopian ritual of explosions: I imagine it as a lockdown strutting of paltry stuff, a defiant emptying out of thoughtless rage past the early-closing pubs. 

Anticipating the earlier sunset, wishing to avoid exercising in the evening streets, I went out midday for my walk in the park, an eye on my watch to get back home in time for the next videocall class. The sun eeked itself out from behind the showers, and the riverside paths beyond the weir were golden-brown with autumn leaves embedded in mud. I walked cautiously. Even in a pandemic, there are dog owners who don't pick up after, and twice in the past fortnight I've come home with stinking dog mess caked into my soles. 

After class, catching up on the admin. which grows heads like a hydra, I needed to search my emails for Hope, looking for the last email I'd written to her. I tapped 'Hope' into the search bar, pressed Return.

What I found was that almost every email I write contains hope:

I hope you are well.

I hope we can meet before too long.

I hope you feel better soon.

I hope you are able to find time for yourself.

 Search your inbox for Faith, for Charity. You may not find them there. But Hope, Hope, Hope. It's everywhere, littering words like golden leaves in all the mud and mess, its small, round, comforting sound topped off with the softest of plosives.


Photo credit - Mike Powell

Thursday 10 September 2020

I Bottle Abundance

The apples are falling into bags which find their way to my doorstep, the damsons have relaxed, forgiven themselves for not being plums, the dish and the spoon are getting well used, and the courgettes are running away with the beans. Even the herbs in my window box are making a final push for the moon, over-stretching beyond their theme tune ... Parsley, Chives, Rosemary and Thyme - with a ladida and a hey diddle diddle and damn the absence of Sage and a fiddle! 

I've saved jars, and jammed some fruits into them, I've baked an apple tart, sprinkled it with almond flakes and cinnamon. In years gone by I pickled. I stoned. I peeled. I cored. But this year's new harvest trick is bottling. 

Bottle. What a word. I bottle, you bottle, he, she, zhe, they, bottle. We've all bottled it through lock-down and here in the northern hemisphere we're facing, well, we're facing west and the lowering sun, and the coming of the colder months. But before that, the plenty, abundance of good things to store, to shore us up, turn into something warm and friendly, encouraging and faintly medicinal for whatever lies ahead. It's cordial. 

Cordial. A tonic. Or with tonic, or sparkling water, or however you please. Gin, maybe. You won't mind  sloshing it into your glass till it's half full, because it's a lot easier to make than jam. Or jelly, or cheese, or chutney. It requires largesse and no sugar thermometer. It involves simmering, straining, funnelling, and having a lot of glass bottles. Just what's needed for this year's harvest.





 

Sunday 23 August 2020

I Plunge Into Cold Water

Here's the reservoir, nestled in hills above Church Stretton. This is what it is like at 7.30am in summer. The sky is blue but the water is cold. Occasionally there are two or three people already swimming, but there's room for me and LJ to teeter on the edge in our wet suit shoes, before taking the plunge.


The plunge is breath-taking, awakening, vital. It confirms my body to my senses, pushes the air out of my lungs and into a shout. The plunge is essential for what comes next - the swim into the meaning of paradise: a new day, everything freshly rinsed by night and dawn's caress. Birds skim the air, call to each other across our bobbing heads. We paddle the length of the reservoir, paddle back, return and turn until we feel the core of ourselves chilled like Chablis. 

To clamber out into the rough care of a towel, is its own pleasure. We talk of stitching two together to form individual changing tents like someone else's mother made years ago. Many swims into the season, and we haven't done it yet, but no matter. 

Back down at the car park, filling up now, we sit in camping chairs by the stream, breakfast on tea, hard boiled eggs, strawberries and banana bread. Not even the Famous Five ate this well after an adventure.

I can be back from the hills and at my desk by 10am on these swimming days, having taken the plunge, the waters, emerged from the vigour of a real paradise.  


Sunday 16 August 2020

I Enjoy The Memories

It's that time of year - the Edinburgh Fringe has been cancelled, but my mind is still drifting northwards and backwards. 2013. Threesome's first appearance on 10th August - we'd hardly written the script by 9th August, the same day I met Ms Beeton for the first time.  It's LJay's birthday today, so that has added to my nostalgia.  

And here we are, or were, outside the Word of Mouth Cafe,  highest numbered venue for that year ... left to right ... Ms Beeton, Someone's Mum, Jay Walker. 

I have the look of someone freed from the responsibilities of being any good at performance, and enjoying it.

The show was in 3 parts - I was the opener (or 'delicious entree', as described in one of our two 4 star reviews) with a piece based on the Seven Ages of Man speech from As You Like ItThe Seven Rages of Woman is a poetic romp around ... well, some of the rage I felt about a restrictive evangelical upbringing and some of the rage I felt about the lack of representation of women in film, and several other rages,: approximately seven of them in fact. Listening to a sermon about women and submission yesterday, some of this rage was momentarily reignited.

Since this photo was taken, there have been new happenings: a beautiful baby for Ms B, glasses to correct my eyesight, a new suit and tie for LJay, and suchlike. But when I look at it, I enjoy the feeling I felt then, right then, at the moment Peter took the shot. It comes flooding back, the camaraderie, adrenaline, freedom, the reckless pleasure of the name of our troupe. And, as Ms Beeton might have said of her microwavable chocolate sponge cake (whose making was the pinnacle, piece de resistance, of the show), the feeling is marvellous, darling!


Saturday 8 August 2020

I Apply Another Coat

There's something sensual about applying emulsion to walls, covering damage with a paint close to the colour of farmhouse strawberry ice cream (the colour is the same as the one I remember from childhood, when I stirred my carefully allocated fair ice cream share around my bowl with a spoon and great concentration, to make a thick milkshake on a hot day). 

The chart's named the shade 'Calamine', and it also reminds me of the soothing effect of lotion on childhood insect bites and spots. Ahhh - chicken pox. A familiar virus. 

 One layer of paint is rarely enough to give a good finish, which I don't mind in relation to walls, but is a challenge in the case of my living room ceiling which is plain white, and a little too high to reach without a step up of some sort. I like to think I'm working out my deltoids, biceps and pecs as I hold paint overhead on brush or roller, that I'll finish the decorating with better definition. I paint white on white in imaginary squares, so that even when I can't see what I'm doing, each section gets its fair share.
 
As each coat goes onto the walls, dull biege becomes a more distant memory. I know that in time I'll add marks to this new pink layer - but for now, it's a creamy pleasure to sweeten all this time I'm spending at home. 

Saturday 11 July 2020

I Worry About Plumbing

I wonder if Ennio Morricone ever replaced a washer, or tightened the grub screw on a bath tap? I am thinking this as I listen to his composition, 'Gabriel's Oboe'. Morricone died this week, as one day I will, and I didn't know till now that he was an avant-garde classical composer: that he regarded these seldom-heard works as his important ones.

This existential mood of mine is driven by sleep-deprivation and by the fact that my hot bath tap is broken. The mixer taps are new, so not strictly broken, but loose. But it might as well be broken as no water comes out. I'm worried I won't be able to fix it despite having 'plumbing previous' (see my first ever blog). The sleep-deprivation is explained by the fact that my main occupation, my job, has been tough this week, and by the fact that my new neighbours have woken me twice in six days with their parties - at 4.30am. 4.30am!  You've got to admire them, or curse them, or hate them for being young, or go round and ring on the doorbell and ask them politely if they could turn it down and then go and sit out on the garden watching the late glow of dawn, the seagulls uplifted and up-lit by pink light.

Sitting on my garden, I tried to think of all the times I was annoying when young as a way of developing greater tolerance to those who probably look at me as slightly less than a real person on account of my being 55, in my pyjamas and having wild lockdown hair. When I was their age, I thought my parents stuffy for going to bed at 9pm on Saturday nights before church on a Sunday. I was much less considerate than I might have been. There were times when I returned to the vicarage to creep up to my attic bedroom close to dawn to fall into a decaying and guilty sleep. Forgive me, father ...

Sitting there, on the roof, as dawn brought the day into focus, I thought about the avant-garde part of my life - not my main occupation, not the lecturing job for which I am infamous to several hundred social work students past and present, but the part of me that I want to fulfil as much as possible before I die: the poetry part. The words that swim through my head, that arrange themselves on the page. I thought about the way that the main stuff squeezes this less-known part until it squeaks, needs attention, needs to lie in the bath because there is no chance of swimming pools opening any time soon, and I need my body to be weightless from time to time. I thought with gratitude of Anna's Poetry Breakfast at Home, of Andrew, Carol and all the people who see and respect this part of me.  
Poetry Breakfast - find the wonderful array of readings and music hosted by Anna here.

Thank you.

And now it's nearly 9.30am and I'm not floating into a dawn sleep because I want to catch Abbey Hardware when it opens to buy a set of Allen keys and ask advice, through my mask. I don't have what I need to fix my tap, which has a screw loose.

'Gabriel's Oboe' is a soothing part of the soundtrack to 'The Mission', a violent film I'd watch again, even though it's about an appalling history. Colonisation. Conversion. Corruption. Compromise. Cardinals ... Morricone's soundtrack is just right, as it is for The Good, the Bad and the Ugly, and Cinema Paradiso. 

Ah Ennio. Rest in peace. Thanks for all the music, especially the stuff that's impossible to find on YouTube, that's swamped by your main fame. Forget I ever mentioned plumbing.




Saturday 27 June 2020

I Mend My Bicycle

On my way to see a friend yesterday, I punctured my front tyre. Not deliberately, you understand. I was enjoying a downward stretch when my front wheel juddered. Twenty metres later, the tyre was flat as a flip flop.

The queue at the bike shop was short-ish, but by this stage I'd pushed Boudicca two miles in the heat, was bothered, needing lunch, so when it was my turn, I booked her in for a repair. Only then did I find out that the waiting time would be 8 days. 

Previously, when I've had a puncture, I've been able to get it fixed as a 'walk-in' job. But everything is different. Cycling has become the new ... cycling. Freewheeling brings a sense of freedom at a time when freedoms are curtailed. And people are buying electric bikes like they're in fashion. Everybody suddenly needs a bike shop to fix the bikes that have lain in sheds for years, or to show them where the on switch is.

You'll realise from the title of this blog that something else happened after I left the shop. As a matter of fact, what happened, dear reader, was that I drew inspiration from this very blog. Back at the start of things, hadn't I bought a new washer? Hadn't I fixed a leaking tap? Hadn't I boasted about this in public, and also about my other skills: shelf-fitting, and ... well, other stuff. Why not buy an inner tube and fix my own bike? 

I took courage and a credit card in my hands after lunch, ambled back downhill and re-joined the long-ish queue. Two Americans were buying electric bikes. A man was getting his electric bike fixed. Another customer struggled to fit two electric bikes into one car boot, refusing the assistant's suggestion of taking off the wheels. The car park was gridlocked; the shop staff were calm, impressively kind. 

Forty-five minutes later, I reached the front of the queue retrieved a rather relieved-(or exasperated?) looking Boudicca, and bought an inner tube. And a Brompton Toolkit. Expensive, but think (as I did) of all the money I was saving.


This magnificent piece of design includes tyre levers, and a spanner - all I needed, plus the advice of a YouTube video, to change the inner tube. It's gorgeous, and fits inside a sleeve that can be stashed inside the bike frame for future emergencies.



Monday 22 June 2020

I Channel the Feelings of a Geranium


As lock-down eases, pigeons have been taking liberties, disregarding my guidelines and landing in my window boxes. This behaviour leads to crushed plants and irritation (not photographed). It has also scared away the blue tits. 

So far, in an effort to communicate the rules, my rules, I've resorted to:
  • deploying kebab sticks arranged like pikes ranked on the edge of the window box in the 'at charge for horse' position, 
  • shouting, 
  • hanging a CD of jazz poetry from the bird feeder. 

Using the CD as a means of shiny distraction /disorientation rather than buying purpose-built shiny distractions saved me £12. This action brought enough calm for me to consider responding to a prompt from Jean Atkin as part of a poetry course I'm taking.

So, my fourth and I hope final, effort to deal with the pigeons has been to channel the feelings of a geranium: the one on the right of the photograph below. This geranium shares my thoughts about the importance of boundaries. 


SAID THE GERANIUM TO THE PIGEON

I’m rooted to the spot, boxed up on this ledge
with trailing lobelia and other plants whose names
I’ve been told but have forgetten … and you?
You’re coming onto us like a crash-landing,
all plump mass and feathery undercarriage.
(And those ugly toes, angled like dead twigs!)

Remove your backside from our broken stems!
Lift your fifteen indistinguishable greys from our pinks!
Repent your savaging of shoots, your squashing of leaves!
Be gone! Scram! Piss off from our miniature Eden!




Saturday 6 June 2020

I Organise My Things

An advantage of a colder, greyer weekend day in lockdown is that it leaves time for organising things. I mean, I do a lot of organising Monday - Friday, but this is focused on other people's things. Last week, for example, I organised essays by marking them, and organised names on a spreadsheet, and organised some interviews.

On sunny weekend days, I like to organise my plants - I ordered six geraniums last week from Pomona Grocery and spent last Saturday morning blissfully sequencing them on my rooftop garden. At the same time, I noticed that the rescue-hosta is coming into bloom, and that the blue tits seem to have been put off visiting the feeder by the vocal presence of pigeons.

This Saturday, so far, I've been inside, organising things like poems, my website, and, well, poems. It takes longer than you'd think.

It takes hardly any time at all, however, to organise an event on Facebook, which is what I have done for Sunday 13th December 2020, 5-6pm. This is the Sunday closest to Beethoven's 250th birthday ... I think. He was baptised on 17th December 1770, which leads historians to believe he was born on 16th December 1770. Not knowing for sure which day one of the greatest ever artists was born hasn't stopped me organising things for a celebration.

In contrast, I know exactly when my younger son was born. It was 20 years ago last Thursday, at four minutes past 9pm. An hour later, we were on our way to hospital, but that's a longer story.

Here's Jonty, in Beethoven's birthplace: Bonn, July 2018. 


Beethoven and my son dance through my sequence of twenty poems, Great Master / Small Boy. To mark Ludwig's big day, I will be reading the whole, around 45 minutes' worth, either on-line, or maybe, if allowed, in closer proximity. Things being back to new normal by then, the shops will have closed, it will be dark, and you might be wanting to sit still in the warmth, amongst poetry friends, listening to my voice. This is the same voice that sent someone to sleep recently, after I'd organised them into a meeting on Zoom. So if it has to be a virtual event, that will have its particular benefits. We will be amidst that busy, shopping time of year, browsing stores, or the interweb. You will need a doze, or a dose of Beethoven.

It seems a long way off, but organising this thing has given me a sense that's been missing for a while - a sense of a plan, I suppose.



Here's a poem from the sequence, which appeared in a recent edition of Poetry Wales, chosen by Jonathan Edwards:



Before You, 4th June 2000


I’m in labour in the bath.
I’m a whale,
a ship in full sail
beached on the rounded island of myself,
by thirty-odd years and thirty-nine weeks
and your sheer impetus.

Your fist
(or knee, or elbow)
prods at the surface.
I prod you back.

These are the last hours before I’ll see you,
come to learn your sex, your starting weight,
how your heart will beat in air.

I wallow in this human mystery –
and you already know me inside out.




Monday 18 May 2020

I Socially Distance

I sat out this morning on my garden. A roof top garden is a garden you sit on not in. Prepositions are powerful.

I've made it my own, organising a set of pots into various patterns and non-patterns over the past weeks, adding stones from my collection of stones, and half tiles from what remain of my February bathroom improvements.

Releasing the stones back into the semi-wild has been a Good Move, for them and for me. Previously, they'd perched on shelves in my living room, reminding me, in complicated ways, of trips to the beach, holidays, a catastrophically painful relationship. Outside once more, they are in their element, in a bigger context.

This morning - let's get back to it - blackbirds came to the dish of water I've left out for the blue tits. I mean, any bird can have a drink or a bath in the dish, but it was the blue tits which inspired my benevolence.

The second blackbird to come was bold. He drank five beakfuls, stretching down to fill his lower beak, then tipping his head back to swallow. All this within two metres of me. Well, within two metres of my head. My feet were considerably closer.


Here's a photo of my feet, dish nearby, minus the blackbird. I didn't want to move to photograph him whilst he was drinking. But he was there, in all his sleek black orange-beaked glory. Trust me. I was reading, so sitting very still. (The book? A Guide to Statutory Social Work Interventions - The Lived Experience:  sorry Anna).

My feet were (let's go imperial) three feet from the bird. It was my head that was socially distanced.

Over lunch, I chatted to my son about the meaning of social distance.  He pointed out that his head is socially distanced from his feet, unless he's engaged in yoga.  A reason to stop doing yoga, if you were looking for one, I said.

This confusion seems to be widespread - why else would some people veer into hedges or oncoming traffic when another person approaches, and others keep doggedly moving forward, passing by, bringing our heads no more than two feet apart.

The blackbird was at just the right distance from me for me to appreciate his bold glory. We both kept safe. He left after his drink to sit on a nearby branch. His song stretched from there to here, causing soundwaves to vibrate my maleus, incus and stapes -  reaching right inside of me.

Thursday 30 April 2020

I Reap What I've Sown / Not Sown

Finding a garden unexpectedly on the flat roof at the back of my home has been a gift from lockdown, slow down, sit down, hunker down … down the stairs I go each morning, doing my yoga moves as I climb out of the window at around 10am. This is the time when the sun comes round the rooftops, or rather the rooftops tilt further, letting the sunshine through. From that point, on a fine morning, I have about two and a half hours before the earth tilts me back into shade.

I've adjusted my working habits to suit, and I'm reading more books - Rights and Wrongs in Social Work by Mark Doel works even better in fresh air. I can't see my laptop screen outside, so it has to be paper, and it has to be one of twenty books I hustled from my office when I knew it was likely I'd be away from the campus for a while.

I've adjusted my horizons to suit, have explored the 12 metre length, 1.5m width of space, finding more pleasures - in particular the luck of a pot bound hydrangea with newly sprouting flowerheads.  My friend, G K Anarchist, socially distanced a bag of compost for me, and I cycled over to pick it up from outside his home. On the way back, I pushed my way up Wyle Cop, my bike tripled in weight. I quarantined the bag for a couple of days, before opening it up, digging my hands into its dark richness, then liberating the hydrangea into wider, deeper soil.

I've adjusted my cooking to suit the herbs in the garden. I'd always considered coriander exotic because of its association with spicy dishes, but it turns out to be surprisingly easy to grow from seed. The leaves I've harvested so far taste miraculously like coriander, so I made a celebratory meal of butternut squash curry, homemade naan,  rice, mango chutney and yoghurt - then garnished the lot with a first sprig from the largest coriander plant.

I've adjusted my choices to suit,  aligning myself with my son Jonty's vegetarianism, his decision based on thoughtful consideration. I've slipped into it, and to the excitement of my weekly veg box from Pomona - a Shrewsbury grocery store which also delivers, if requested, maple syrup and lavender plants.

I've adjusted my swims to the size of my bath, easing myself under water as each day ends, into the comfort of warmth and lemon soap, into the sensation of almost floating: a nod in the direction of weightlessness.




Sunday 12 April 2020

I Find a Garden

At the top of the first flight of stairs to get to my flat from the front door is a window. Beyond the window, a forbidden flat roof. When I say forbidden, it's a roof on which a couple of years ago a decorator planted his ladder. So it's not exactly forbidden, and it's safe enough.

Since the benches have been taped off, I've been longing for somewhere to sit in fresh air. All week, my mind's been wandering to the flat roof. And yesterday, I was in conversation with an on-line community of people who seek greater connection with nature and themselves by paying close attention.

The inspiration of that community had me climbing out of the window, onto the roof. Having a reduced allocation of physical courage, I took many safety precautions, including a sturdy box on which to stand to make getting back through the window easier.

I sat in the courtyardbehind my flat, one floor up. A bee buzzed overhead, a blackbird sang. The still-bare trees (invisible to me from my home until now) stood still. The scent of  hyacinths in my window box filled the air.

Growing in confidence, I began to explore the space. It's about 2 metres wide, and 6-7 metres long, edged with a low brick lip, capped in stone. The roof surface is gravelly, mossy, and there are four raised skylights which must illuminate the shop storage rooms below. I found a potted Hosta - its leaves perfect from a lack of slugs.

Two black rubbish bags looked untidy in one corner. Thinking I'd dispose of them, I looked inside - they contained old compost, plastic pots, two long, shallow plastic trays, the tangled rootballs of forgotten plants, leaf mould. A gift. All I need, with the seeds I've been germinating for my summer window boxes, to make a garden.



Friday 10 April 2020

I Count to B

B is for Brothers. I think of them every day. B is for Boys - my two sons: brilliant, bold, kind, funny, optimistic. B is for the Buns I am baking for breakfast (it's Good Friday, so they're Hot Cross, not Belgian) - kneading dough when there's no particular rush. B is for bulbs, for the hyacinths and daffodils blooming in two window boxes which Mike installed for me. I have compost with which I can work and plan, seeds germinating and growing on. B is for Board Games. B is for Bathroom and my new blue tiles. B is for Book - of course. For the one I'm working on, and the ones I'm reading. B is for Banoffee pie. For Beethoven. And B is for Bob, and Bill, blue tits I have anthropomorphised, who might also be Bert and Brian on some days. They visit my bird feeder, and if I sit in my blue chair, and am very still, I can watch them cracking seeds on the side of the feeder's perches. B is for Best Friend,  a London GP and isolating with the virus. She has described all the symptoms, they include annoyance. B is for brave. B is for better. B is for fit and well, hale and hearty, in the pink, tip top, fine fettle. B is for the camping we will be doing later this year, for risotto, Trangia stoves, Sauvignon Blanc, swims, and our Bicycles.  B is for Boudicca, and for Cleopatra.












Sunday 29 March 2020

I Admire My Brothers

I have three big brothers, and I admire them all in the way that a younger sister often does - with deep appreciation of their qualities and talents, and a determination to keep up with them somehow. Former MP, Doctor, Vicar. You couldn't make it up. No wonder I had to become a Poet.

Here we are, lined up with our parents on the bench in the garden of our Highbury vicarage. Families don't seem to look like this any more. I'm on my mother, Sally's, knee, David's just behind with what looks like a home-made fringe. The privet hedge looks equally trimmed, and my mother is in a blouse - this could be early autumn so I think I'm about 3, making Matthew 5, David 7 and Jeremy 9. Or maybe we're 4, 6, 8, 10. As far as age facts go, I always appreciated the half of the year when we were evenly spaced, 2 years apart, as opposed to the half when we were 3568 or 4679. My father, John, has his left-hand mittened because his left arm didn't work properly, the result of hemiplegia caused by encephalitis in 1959.  He nearly died when Jeremy was just 6 weeks old.


The little boy David came as a blessing after the catastrophe of my father's illness, and he is now Consultant Cardiologist at the Hammersmith Hospital, London. I've always been proud of this fact and have to try not to mention it too often, whilst he's unassuming about his talents, and talks about his work as if it were ordinary to perform life-saving procedures week by week.  As brothers go, he is top of the admiration list at the moment, and I'm sure Jeremy and Matthew would agree.

He phoned me yesterday to explain his role in the front-line of patient care in London during the pandemic. He will be heading a team, working with acutely ill patients in a hospital which was cleared last week in readiness for a sharp rise in complex corona virus admissions. He told me that everyone in the NHS - doctors, cleaners, porters, nurses, midwives, physios, cooks, administrators - everyone who so much as sets foot in a hospital in the coming weeks is a hero, before s/he even does anything. The courage being required of them is hard to imagine. They are feeling fear, and carrying on, organising themselves for the tsunami, the battle, the overwhelm.

David and I said more than we usually do (and not nearly enough) about our appreciation of each other, just in case. I asked if he'd forgiven me for writing a poem about a previous telephone conversation (Running Advice, below). He replied, "There's no such thing as bad publicity" - this absolution is a relief.

My big brother and I concluded by agreeing on the luck of being born into our particular family - flawed and odd and wonderful as it was and is, and will continue to be. Nothing, not even the new expressions of fear we are all experiencing, can take away that moment of the photograph, this conversation we had, the deep love I feel for my brothers, who I've known from the beginning of my life, who've been with me and seen me through all the rough and tumble since then.



Running Advice

On hearing I’ve taken up running, my brother mentions fish oil
like it’s the next most logical thing in the conversation.
We’re on the telephone because he’s one of the few people
I talk to on the phone any more, and it’s a Saturday morning.
I’d just got back from my run when it rang, and it was him.
It’s on account of us not being young any more, he says.
We need to take care of our joints. I reply that I was always
four years younger than him, which he acknowledges.
Younger is how I feel after completing circuits of the park
in the early light, with the air clear and cool and my blood moving.
I tease him, ask whether I’m to apply the oil externally.
Of course not, he states, sounding on the verge being a doctor.
Which he is - he’s a cardiologist, and a good one at that,
and I can tell that on this matter he expects to be taken seriously.
While we’re talking, I’m looking out of my upstairs window
at the people going about their business in the street below.
The sun is showing up the dirt on the glass and I notice
that after my run I have the energy to consider cleaning windows.
This is what I am thinking about when he asks about footwear.
I look at my old trainers. I’d got in from my run
and only just put on the kettle and not yet had time to mix
the pancake batter or squeeze oranges when the phone rang.
For goodness sake, my brother says, when he hears my silence,
buy some decent trainers. You need to take care of your knees –
and try not to run on hard surfaces.  I decide not to tell him
about the tarmac path by the river through the avenue of lime trees.
The orange sun was still low in the sky at half-past eight,
and it was hard to look directly at the swans taking off midstream.
I can hear him thinking, because the line is clear as a bell,
and he’s working out how much to write on the cheque
that he will send me for my birthday in three weeks’ time.
I’ve got to go in a minute because I haven’t showered yet, I say,
and I’m getting fragrant. There’s nothing like a shower followed by
breakfast after an early run, he says. And on this we agree.
Well, good to talk and thanks for the advice, I say.
Just one more thing, he says. Never look down.
When you’re running, look up, and always look ahead.


Other poems about running are also available (with this poem in this book):



I have ordered this anthology for David - the poems are written by those who, like him, know what the inside of a hospital is really like:


All Profits donated to “NHS Charities Together” – CORVID 19 EMERGENCY FUND

Wednesday 25 March 2020

I Distract Myself

I'm listening to my vinyl LPs one by one, taking them from the end of the shelf, however they present themselves. Today I've listened to Stravinsky's Firebird, Debussy's Nocturnes, the Oscar Peterson Trio's Canadiana Suite, and Luke Wright's 20. There are benefits to a non-alphabetically kept collection.

Speaking of alphabets, I have been creating a folder in Word of all my poems, A-Z. I have rediscovered a few in the process which I had forgotten. Some of these are not embarrassing.

My attempts at yoga might be embarrassing if anyone could see me do them, but they can't. I need to do yoga as I can't go swimming, and in normal times, swimming is my primary form of back care. My new bedroom carpet is soft, and spending time close up to its wooliness in plank, downward dog or child pose is more comforting than I expected.

An apple crumble is comfortably warming up in the oven. The vanilla ice cream is out, softening. In a moment, I will fill the kettle with water.

What Hokusai's famous woodblock print, The Great Wave Off Kanagawa, shows us about water is that great waves are made up of individual, tiny waves. Those waves in turn are made up from molecules. They are drawn together, build to a climax, a high point, a breaking.

Jonty Lefroy Watt's latest composition Apogee explores the nature of water, shows the orchestra, a whole made up of individuals, how to express the wave, the tension of accumulation, the power, the culmination, before a return can begin.

https://jontylefroywatt.bandcamp.com/track/apogee-2020

Sunday 8 March 2020

I Grout My Tiles

I've added 'grouting' to my list of DIY practices, which now includes: changing washers, decorating bedrooms, and putting up sloping shelves. On International Women's Day, I feel it's important to make a point. I'll add 'making points' to my list too.

As a result of this latest act of independence, my bathroom looks more like a swimming pool than it did before - in a good way.  I didn't notice this till I went swimming again last week - storm Dennis had closed the Shrewsbury pool for a couple of weeks with his random acts of windy vandalism.  The tiles I chose are brick-shaped and coloured blue with a hint of green - Maybe they're called  'aqua'.  Steve put them on the wall, but said that I could save money by doing the grouting myself.

I've done minor grouting before, but this bathroom's major. I've been carefully scraping grout, this way and that, across the gaps between tiles to fill them. These gaps seem hungry, eager to eat the grout, and today I had to cycle to B and Q to get an extra tub. I appeared, from the lonely state of the bike rack, to be the only person who had arrived in this way.

It strikes me that grouting is more the work of a novelist than a poet. The gaps between the words are pretty much the point and attraction of poetry. So filling in gaps, making sense of the whole, making things watertight, seems, judging by my aching right hand, prosaic.

On the plus side, I reckon this venture into prose-style DIY justifies me eating the last of the 'For when you're writing your novel, Mum' biscuits that my son gave me at Christmas, even though the novel still has plenty of gaps in it. Yum.

Thursday 13 February 2020

I Contemplate Mortality

Of the dissertations I have supervised this year, three have been about death, or aspects of death: palliative care, child bereavement, assisted dying. I have learnt a lot, not least that I am still alive. In the midst of the menopause, I have not always been sure of that.

And when it became apparent that a new acquaintance must have Googled me for publicity purposes, I checked out my on-line life, saw that my website spoke in future terms of things past, updated it for the coming year https://lizlefroy.wixsite.com/liz-lefroy including information about when and where I'll be performing my poetry (the next time is Monday 17th Feb, Gladstone's Library).

In my internet rummaging, I also found a website which had harvested this information, some of which is true:


Chatting with a friend yesterday about trying to change the world for the better in relation to social justice and the rights of marginalised individuals, I was reminded that I've been alive for quite a long time now. We spoke of the latest change in language - from 'Black and Asian' to 'People of Colour' in some contexts. We talked about how the word 'colour' had been a pejorative not long ago.

Sometimes, I find it hard to keep up, and I see the generation below (my children, park runners, poets, activists) streaming ahead of me. My energy flags, and I see that change is mostly circular. I long for days of solitude with books in a quiet room nearer to the sea.

One of the reasons I can have this dream is that my primary source of income is not Poet.  The above website also fails to mention my bike. Tut.

Yesterday's friendly conversation also turned to Raymond Carver, and his poem, Gravy. If you look Raymond Carver up on the internet you will find that lived ten 'gravy' years before he died aged 50. He had a second second chance at life when he gave up drinking aged 40. It's one of my favourite poems - Carver does what poetry needs to do: achieves a clear truthfulness which eases life, which eases thoughts of death:



"he said to his friends, I'm a lucky man.
I've had ten years longer than I or anyone
expected. Pure gravy. And don't forget it."