Tuesday, 12 November 2024

I Write Again



It’s been a while. I’ve been coming through things, and still am, but here I am, writing again. 

In the café at Wrexham General station, the kind barista is putting up the Christmas tree while I drink my morning coffee. I choose to take it as a sign of hope. 

It may snow before November is out. I will love again the way snow falls through the street light outside my living room window.

And I’m listening to Haydn’s first cello concerto on ear-pods. It drowns out the hiss of the coffee machine. Moderato - cheerful, adagio - poignant, then upbeat allegro to the resolution. Three movements. Three moods. Nothing authentic can be expressed in a singularity.

I move through things by sitting still, writing, going with the music.

Friday, 20 September 2024

We Write A Poem

Our friend Geoff Hardy disappeared at the end of April - our, because he was your friend too, whether you knew him well, a little, or had never met him. Geoff was friend to a society, a man in search of greater justice, fairness, acceptance, love, and joy. He was generous with his enthusiasm, his righteous anger, his sense of fun. We miss him.

Fred D'Aguiar, who Geoff taught at Charlton Boys School in London in the 1970s, has written a sequence of poems of celebration and loss, and we launched Ghost Particles [Fair Acre Press] at the Hive in Shrewsbury in early September. The poetry is moving, sparse, laden with deep sorrow and deeper gratitude for all Geoff was. Fred asks...

Must
you be 
dead 
for all 
there is 
for me 
to say 
to you 
to be 
said?



It sometimes goes like this, that we want a chance to say something to the one we miss unbearably, the one who is no longer there to hear it. We wish to repeat what we knew and said in his lifetime, or what we were too shy to say, or didn't even realise we had to say. 

At a memorial celebration of Geoff's life at Shrewsbury Town's football ground a couple of days after the reading, many of us wrote a poem together. We did it like this - each writing a line of memory, or emotion, or observation at the beginning of the event. The poet part of me then wove the lines together, finding as I did so that what the community knows about Geoff rings both particular and communal - we knew him individually, we knew him collectively. 

The poem is epic - long - a bit unwieldy. It breaks the line limits for competitions, magazine entries - steps outside the bounds of convention. Geoff would have liked that about it, and, as Fred said, he would have liked its call and response nature, the chance for voice. Here it is. It's for all of us, whatever the losses we are feeling. 

GEOFF’S TABLE – after Edip Cansever

Written on 8th September 2024 by family and friends

 

Friends and Family of Geoff,

filled with gratitude and the gladness of knowing him,

put our sorrows and memories on the table.

We put there Geoff’s energy and courage to be different, the fire in his belly,

his endless enthusiasm for confronting the status quo,

his always being led by his convictions and values,

challenging hubris with sparkling wit.

And we lay on the table his advice to stay right to the end

because you never know who’s too shy to come and talk.

 

We place there the personal and the political,

Geoff’s fierce empathy for those without agency.

the memory of him, a young student

in his Afghan Coat, tentative of his brave future.

On the table we put Geoff’s inspiration of others,

his ability to motivate and his unshakeable opinions.

We set there all the groups he was involved with:

his candidacy for the Green Party,

the early days of the Gay Teachers’ Group,

memories of pink triangles in Jersey,

Shropshire Fights Back, SAND,

and Shropshire Co-op members group.

the presentations he delivered at schools

during LGBT History Month.

 

Memories of the 1982 Channel 4 lost Video

starring Geoff & Peter, Arthur & Rosie,

the copy of the Shropshire Star  -- the one in which

he objected to a columnist’s homophobic comments,

Geoff’s power of persuasion, his knowledge,

the sheer length of time he spent fighting for rights,

solidarity, universality, all sugared with hope –

we put them on the table along with his wry smile,

his challenge to long-held entrenched opinions,

his ramblings in meetings that always came to the point eventually

 

We put on the table Geoff’s eclectic taste in music

his hands playing the piano, all those Proms,

music as an expression of his soul.

We remember him by, ‘Calling all Angels’,

and every year, ‘ The Moon in June’

(Geoff - possibly the only surviving Soft Machine fan).

 

We place Geoff’s love of the arts on the table:

films from around the world, and books, and poetry,

films, and Fred’s poetry, and supporting young artists,

the films he selected with Peter for the best film festival,

singing, and seeing Geoff and Peter in the audience, smiling.

We cry with Shrewsbury Town Crier, ‘Oh Gay, Oh Gay!’

 

We put on the table Geoff’s talking with his hands,

those expansive gestures – his hands always moving,

his slapping his hands in emphasis,

his expressive, creative, strong hands, his caring so much.

And the notes of his voice, his calm voice,

the radiance of his voice, the sounds of the trains

on the bridge at Shrewsbury Railway Station,

the chink of tea cups, drinking out of exquisite china.

And over the table echoed, ‘FABULOUS!’


We place on the table the communal garden by the river Severn,

windfall apples in autumn, Jakob’s vegetarian feast,

soya bean casserole and Caribbean fish curry,

dinner at Bistro Jacques for Gary’s birthday,

long evenings of shared suppers planning the Rainbow Film Festival,

no business talk meals, garlic chutney, a fruit bowl, fish pie,

cups of tea, plain chocolate, lunches in the market café,

tea and friendship in the kitchen, discussing Alan Watts,

late night discussions over a glass of wine,

the chat and the chat, and the endless chat –

all those delicious curries and coffee, those teacups and saucers,

the most diverse selection of herb tea bags,

and glasses half full of red wine knocked over by buzzing, flapping hands,

and being last to leave a house-warming party

generosity of spirit and the chat, and the chat,

brief roadside talks turning into hour long conversations,

and inspiration, guidance, endless compassion and passion.

 

We put on the table specific memories:

There is a feeling I get when I look to the West

when my hell gets too much and the only thing to give me peace

is a nice egg curry and bottles of beautiful wine

 in the company of Aunty Geoffrey and Uncle Peter – treasures never forgotten.

We put Aunty Geoff on the table, and the book he gave called

“What happens to your body as you grow” –

amongst other books a book that made me and my brother giggle at a lot,

all while he had a glint in his eye.

We place on the table the shelter Geoff gave

at a time when we needed refuge,

his encouraging laughter and optimism,

his kindness, courage and inclusivity.

The cape that sailed towards me on Shaftesbury Avenue

(it had been years, who else could it be?), blue shoes

and old friends meeting on the Charing Cross Road

leading to a lifetime in the Shropshire Hills,

Geoff’s sense of freedom as his skirt swooshed on the tube –

that’s him there, a boy walking past,

Him calling my name as he passed on a bike – ‘hello!’

wise words given to me at just the right moment –

welcoming my queer daughter into the LGBTQ+ community,

I know Geoff because he was an English teacher and I was a French teacher,

Another Geoff, told by his mother, “Why can’t you be more like Geoff Hardy!”

We place all these personal memories on the table.

 

We place there how Geoff was a positive in times of stress,

that flower and a thank you written on a sticky note,

his warmth and a smile that we now carry as a gift.

A box of sequins, laughter, and a welcome to the community.

We place on the table talking over the hedge in the morning,

a constant neighbour in sun and rain.

We put on the table his care for those he knew and hardly knew

his commitment to being the first to fight for people in need

 

On the table we place Geoff’s passion for caring,

his healing hands, his healing light and stories,

hands to heal the body and mind, his giving of support.

On the massage table Geoff would gently place Jean and Cedric

for their essential oil massage.

Next to them, all the massages given under Geoff’s hands,

his fingers, knuckles and elbows in the right places,

fingers of power that magicked pain away,

the massage oil, and a welcoming smile,

ironing out our tensions, muscles, and feelings,

words of wisdom given, whether wanted or not.

 

Nous mettons sur la table la maison devant la riviere,

riz tres bon a manger, et beaucoup de theirs dan sa maison

et surtout le si adorable Peter, son compagnon et ses

deux amis Hattie et Mike

 

We place on the table a stall in the Market Square,

stalls draped with rainbow flags,

train journeys, bicycle clips and no helmet,

flags and smiley faces, wonderful stories,

rainbow badges and roses in full bloom,

emails packed with love and encouragement,

a filing cabinet full of his letters,

evening primroses from the garden from his hands,

the name of every plant in the number 19 garden,

his Scavenger Hunt Winner medal (and Crunchie!),

British Sign Language, sounds of a bicycle bell,

eggs bought at the side of the road in half dozens

to take home for neighbours; an ability to put people at ease,

generosity and a sense of humour, tight hugs of love,

and his hidden talent: dancing at those SAND discos.

All these wonderful things we put on the table.

 

We put on the table our regrets, the bicycle ride we didn’t take,

that we hadn’t known Geoff better ,

and Will I ever have as much time to give Geoff as he gives me?

 

We place on the table the postcards of Geoff and Peter’s many adventures

we place Geoff and Pete’s love on the table too, their being together forever,

their welcoming others to that table together,

especially those finding it hard to find their place

all those memories of an open house and open heart:

“Just follow it, and do it,” and,

“What’s the worst that could happen?”

The encouragement of a dream, a young life, a pathway.

The ability to turn around anything that I could say into a new idea.

 

On top of the pile, we place the way Geoff was unashamedly himself,

his pride in his notoriety, his open-mindedness.

his wicked sense of humour, and his brave courage.  

 

On the table we put the first times we saw Geoff, the last times,

We put on the table a bridge, the bridge that was Geoff,

link between so many people, so many groups.

 

We look at the table – it wobbles a bit but does not complain.

It is dependable, warm, and generous.

And then, above all, we see this:

Geoff’s love for Peter was the table he put things on.

 



Photos - John Rinaldi




Saturday, 27 July 2024

I Disappoint My Friend

I missed parkrun today, Saturday. I lounged about instead, got up late. Very late, in fact. You see, I've listened to my friend Paul Francis, and to his disappointment.

I enjoy being read - it's one of the reasons I write, and I particularly enjoy being read by an attentive and thorough reader, and those of you who know Paul will know him to be among the most assiduous of readers. These blog posts are a call into the space between me and you, a wish for connectedness - and so when Paul responded to my last post (I Personal Best) by writing to me privately by email (he is also considerate) I listened carefully. 

He spoke convincingly about how my obsession with a particular run time was out of kilter with the spirit of why I run which is, he said, nothing to do with my concentration on that arbitrary number of running the 5K of parkrun in under 30 minutes. 

Paul, you're right. I run parkrun because it has made the rest of my life better. I'm fitter, more confident in my body, linked into running communities of friendship and mutuality. And last week, after some blood tests, I also found out that running has stabilised my blood sugar levels without me having to give up lemon almond cake and Garibaldi biscuits. My test results showed I'm now post-pre-diabetic - not close to diabetic at all, in fact.

So, since being listened to by Paul and listening to him in turn, I've ditched my latest target (to reach 150 parkruns by my 60th birthday), and this morning I shooed away the target-driven voice, which has been nibbling at my ankles since I thought the unnecessary goal up. 

I'm wondering if Paul will write to me again, about this post, to point out my used of a mixed metaphor. I hope so. It'll prove he's still listening.








Saturday, 8 June 2024

I Personal Best

[If running stats bore you, look away now.]

I love parkrun. I love the weekly routine of it: same time, same route, same format, same mental reckonings about the results, same feeling of smugness post-event as I contemplate the rest of my weekend. I even like listening to the same album - Jools Holland's Piano - as I amble along. It begins with birdsong, and its mood is cheerful. I know roughly where I need to be on the course according to the track that's playing.

I've reached this equilibrium after a shaky start at my first parkrun in 2016: the one in which I lurched, without any warm up, around the Quarry and by the time I got home, had to crawl upstairs to my flat on hands and knees. 

After that experience, I bought better trainers, and came up with the following internal monologues in an attempt to prevent further reckless behaviour: "It's just good that I'm up and out on a Saturday morning in the sun / rain / wind / heat, and that I'll finish the course without needing an ambulance. This is a run not a race. A personal worst is a different type of achievement. One day, I won't be able to move - enjoy moving!" I've used these mantras to run 133 parkruns, some of them in Wales, Poland, and Australia.

I stand by all these phrases, and my lack of ambition to change. But recently, thanks to regular running with my buddy Julia, at Shropshire Shufflers I've been managing a new thought: "It'd be good to run 5K in under 30 minutes before I'm 60." Julia has a watch which tells her what our pace is, and she brought round some ginger beer when I was showing her my photos of Australia recently.

I'll turn 60 in 24 Shrewsbury parkruns' time. Ages away. But significantly, today's course was the final occurrence of the current route.  From next week, we'll be tested by an additional uphill section in a course that's intended to make things safer for everyone by slowing most of the c.700 participants down at the start. 

The new thought has been taking effect. My time of 30:49 last week was a marked improvement, and fastest since 2017. All week I've been mulling over the ambition to try knocking another minute off my time, and the cautious part of me has been warning that it'd be hard to manage such a big change.

But I did. Parkrun this morning was 9am as usual, same place, same beautiful park, same large crowd. I chose the same music, and I made it round in 29:30. The only thing that was different was that I ran a bit faster. And that I'm drinking ginger beer to celebrate. 









Monday, 27 May 2024

I Write In Red

Red for the strawberries, ripening on my allotment, sweet brightness against straw. Red for the runner bean flowers. Red for the radishes huddled up close. Red, just about, for the rhubarb. Red for my face after Saturday on my allotment - for the heat and exertion. Red for the ants I disturbed, and avoided. Red for hope for the tiny green baby tomato I spotted - the first of this season. 

Red for Man Utd, club of the moment, team of my colleague and friend, Tim. Red for our endless football banter. Red for the ribbons on the FA cup. Red for the crowd. Red for the fans heard rowdy and loud around Shrewsbury on Saturday evening. Red for painting the town. Red for my glass of wine. Red for my Arsenal scarf, hanging limp but avenged. Red for the roar of football. Red for its disappointments, red for the joys. 





Sunday, 19 May 2024

I Integrate Some Things...

... more specifically, my work role. I was enabled to do this at a conference at the University of Central Lancashire this week. Understanding came to me as it always does: relationally, emotionally, experientially; and specifically in the company of two colleagues from other universities.

A lot has happened since 2007 when I met Jill and Chris at the first Authenticity to Action conference in Grange-over-Sands. There I heard about, and signed up to, DUCIE, a support network for Developers of User and Carer Involvement in higher Education. DUCIE (mostly Jill and Chris) ran regular meetings for mutual support roughly twice a year. In the old days, we travelled to each others' universities. More recently, meetings have been online, so the sense of connectedness on seeing people in person in Preston was heightened. 

The Service User and Carer Participation role has held a unique, and loosely defined, place in universities. Whenever DUCIE's met, we've compared notes on work which is pioneering. We've always found common ground. Those conversations have been a source of comfort, consolation, and confidence, particularly when I've felt isolated and out of my depth.

Among all the other aspects of my lecturer role (teaching, marking, writing, tutoring, interviewing, degree management...) participation development work has been my driving passion. It relates to my commitment to ensuring people with lived experience of health and social care services have an equal say in how future professionals are educated: what students of social work, in particular, learn and how they learn it. 

Participation has become my specialist subject but, though I've written book chapters about it, I often struggle to articulate what it is. It's a way of being though it's shown in ways of doing. Participation in higher education is both institutionalised (a requirement of professional bodies like the Nursing and Midwifery Council) and runs counter to much of academic culture. It subverts hierarchies of knowledge and power which place the value of empiricism (social science-y stuff) above phenomenology (what we feel we have experienced - our stories of what it was like). DUCIE members have all met with considerable resistance. Being in the company of those who understand this, and have experienced it over a long period of time, felt like a homecoming.

Erik Ericson's stage theory tells us that the final task of our psychosocial development is to manage the tension between despair and ego identity that comes in the final chapter of our lives - in other words, to look back and make sense of what we've been up to. He says this starts around age 65 (he was going by old-style male retirement age, I suppose). Whatever. This theory came to mind during those 48 hours in Preston as I looked back on my work in the company of Jill and Chris - as we shared memories, laughter, sorrows, failures, successes. They enabled me to a deeper realisation of what I've been doing, and to a sense of wholeness in relation to my work's varied adventures. 

The thought-feeling I took home with me from Preston is this: I've been part of something.


Me in 2011, looking at my audience, which included Jill, Chris, and other participation workers. Photo by Jill. She shared it on the big conference screen during a presentation on Thursday, which was a surprise, a smiley one.

Monday, 29 April 2024

I Burble On About Running / Butter

The best thing, among the other best things, about being a late starter is that I don’t have a history of running times, triumphs or disasters - completing my second ever timed 10K yesterday, all I had to compare myself with was the first one. As it wasn’t 30 degrees this time, and most of the hills were in a downwards direction, I ran faster. More importantly, I ran with J. - my running friend. I’ve never had a running friend before, at least, not one with whom I’ve actually gone running regularly, twice a week, chatting. 

My other running friends have become breakfast friends. I with D. on Saturday discussing butter as we ate eggs on toast - our conversation was something along the lines of everything being improved by it: everything food, D. clarified (the sentiment, not the butter). With D’s confident endorsement of something I’ve always known and discussed at length with my longest-serving friend, I enjoyed my toast even more. 

The thing is, I got excited earlier in the week by an email. It was marketing from Candlestick Press, famous for its commitment to publishing poetry in the form of ‘not greetings cards’. They’ve published ‘Ten Poems About Bikes, Dogs, Breakfast’, about XYZ. The email was advertising their latest pamphlet. ‘At last,’ I thought ‘Ten Poems About Butter’.

After yesterday’s 10K in which I clocked a lifetime personal best, J., a skilled listener, suggested hot chocolate. As we neared the order point, I asked ‘Are you going to have cream and a flake?’ I asked the question more in the style of, ‘I couldn’t possibly justify having cream and a flake, could I, given that I’ve just been making observations about my menopausal tummy?’ Cream is a couple of levels above butter on my list of life’s indulgences - not everything is improved by cream, but a few things you wouldn’t want to put butter on are. J. heard what I was really asking - something along the lines of ‘I’d really like cream and a flake but I’m not sure I’m allowed.’ ‘Of course,’ J. answered, ‘and marshmallows,’ as if it were the most natural thing in the world.

When I re-read the Candlestick email later on yesterday, poised to order a full fat poetry pamphlet, I read more carefully this time, ‘Ten Poems About Butterflies.’ Well, at least the landscape is clear for my own work. I fancy writing my way through a Butter Phase.






Thursday, 18 April 2024

I Deter Slugs

Sometimes, a conversation has the effect of a tin opener - one of those old-style ones which involves puncturing the can with a sharp blade, running it round the lid without the assistance of wheels or cogs. This type of opener leaves ragged edges, and a sense of jeopardy. I wonder if that is how my Longest-Serving Friend's courgette plants felt after being eaten by slugs overnight last Thursday - it certainly left her feeling ragged, so as I was going to stay for the weekend, I took wine and flowers.

These thoughts - the being opened up by a conversation and the destructive potential of slugs - came together as I planted baby broad bean plants on my allotment this morning. They are not directly comparable situations, and yet something about that conversation came back to me as I thought about holes, and how to protect the broad bean plants from slugs. 

I don't know if it was the effect of either the wine or the flowers, but last weekend my Longest-Serving Friend found the motivation to try again with courgettes, and had the idea of cutting the bottoms out of flower pots to use as shields around the next lot of plants. We imagined the slugs trying to gain purchase, perhaps hurling themselves at the plants, but slipping down the plastic sloping pot sides. Ha!

The conversation I had, the one that's making me think of tin openers, happened ages ago, but it's stuck with me as a painful unkindness. It was about the holes in me and how they are irreparable. In therapy, I learned to use the metaphor of woundedness about these holes, and also learned, with skilful help, how to take care of myself. 

Not wanting to use slug pellets to deter slugs (bad for birds, bad for hedgehogs) I followed my Longest-Serving Friend's example today and made collars out of plastic cups to shield the broad bean plants I've been growing from seed. I cut out the bases, and I made sure to leave a ragged edge. Something about doing this - about being outside on my allotment, pottering about in the sunshine, planting broad beans, and trying to protect them, helped me feel complete.



Sunday, 18 February 2024

I Womansplain My (10th Birthday) Blog

This blog is ten years old today - happy birthday, dear I Buy a New Washer! Birthdays, I've found, are a time for looking backwards (what was I thinking?) and forwards (help!) and then for celebrating (woohoo!).

On 18th Feb 2014 I published this: 'I Buy A New Washer - Day One'. Long-serving readers know that I intended it to be the title of that first post, not the whole blog. I was motivated to write it having changed a tap washer for the first time - a moderate act of independence about which I felt proud. The title has proved misleading and led to me being introduced as a plumbing expert, with a particular interest in washing machines, at a poetry reading. My protests at this generous introduction were further misinterpreted as modesty. 

Fortunately, others have been on hand to expose the lack of depth in my plumbing knowledge, often communicating in comments at the bottom of blog posts. This one from Adam, for example: "Plumbing," he explains patiently, after viewing 'I Worry About Plumbing', and possibly becoming worried himself, "refers to the system of pipes, fixtures, and other apparatuses used for water supply and drainage in buildings and structures. Plumbing is essential for bringing clean water into homes and removing wastewater." And then, as if suggesting a plausible career alternative for someone so evidently in need of this entry level of explanation, Adam adds: "Sell your old cars to Cash for Cars and get instant dollars." 

Not all post are about moderate acts of DIY. The one that has received the most views (over 1700) is  'I Puzzle Over Significance'. It's about a jigsaw puzzle and Mahler - maybe there's a plumbing / jigsaw puzzle intersection it accidentally tapped into. Total views amount to 213,261: 730 views per blog on average. However, I doubt (judging from Adam's ignoring the main subjects of 'I Worry About Plumbing') that views are equivalent to reads. By way of comparison, the least read post (97 views) is 'I Microwave A Curry' - go figure. 

Looking forwards, when I press the orange publish button, this will be my 292nd post. There are several more than that sitting in draft folders, unfinished: 'I Poke My Eye', 'I Work In Wrexham', 'I Recover My Milk Frother', 'I Shrink My Trousers'. Looking forwards, I intend to leave these unpublished but I aim to be able to write 'I Snorkel With Penguins' before the twenty year blog birthday celebrations. 

Having looked backwards and forwards, now's the time for the birthday celebrations. The blog dressed up in its best party clothes is the book version, published by Mark Time in 2020; the playful illustrations by John Rae were an inspired addition (thank you Ross Donlon for making the suggestion). If you'd like to send a birthday card to I Buy A New Washer, please add to the reviews on goodreadsIf you'd like to play pass the parcel with I Buy A New Washer (with a guaranteed unwrapping of the central prize), put on your favourite music and then order a copy for a birthday-bargain price of £5 plus postage. 

And this birthday will end, as all good birthdays do, with thank you's. Thanks to those who've supported me with the gifts of readership, sharing, encouragement, suggestions, book purchase, comments on the blog itself and on Facebook. Thanks for sticking with it for one read, or for all 292. All of these gifts help me to feel more connected to you, to the written word, and, ultimately, to myself.


For the bargain-birthday-book offer, email me liz.lefroy@btinternet.com (offer lasts for the next 10 days only, plus one for the leap year - till 1st March 2024).



Friday, 2 February 2024

I Allot My Time

In September 2022, I applied for an allotment about half a mile along the river, and in a bit. There was a lockdown flurry of interest in growing things, so I was surprised to get an email a couple of weeks ago saying I'd reached the top of the waiting list. Here I sit, typing this, the key to the padlock for the shed of quarter plot no. 78a burning a hole in my pocket. 

An allotment is a piece of land on which to grow fruit and vegetables for private consumption. A full plot is 10 poles, or perches, long. It's an ancient measure. 78a is about half the size of half a doubles tennis court. Having been allotted an allotment I must, to avoid warning letters and then eviction, allot time to keeping it tidy and cultivated.

Here's the plot so far: I've taken the shed door off its hinges, sawn a little from the bottom so that it opens more easily, screwed it back. I've uncovered treasures: fork, spade, two saws (luckily), trowel, hoe, long-handled shears, broad bean seeds, slug pellets, seed trays, bamboo canes, a white plastic chair and several lengths of twine. I've thrown out some things that the mice and damp had got to. I've had a new piece of glass cut to size, and fixed the broken pane of the greenhouse. I've dug over the strawberry bed, spacing 15 plants more evenly, in the interests of their equal opportunities. After all that, I sat eating my lunch in the sunny, sheltered nook between shed and greenhouse, listening to birdsong. 

A few years ago, I would've felt daunted by the broken pane of glass, the jamming shed door, the tangled strawberry plants, but minor acts of DIY and gardening practice on my rooftop and in other people's gardens have given me a have-a-go confidence. 

Allotment 78a. It has all the potential, all the restraint of a sonnet. For now, I'm preparing the square of ground, and in spring, I will plant rows of potatoes, courgettes, runner beans, lettuce, tomatoes, and onions.  As the sun warms and the rain falls, they will grow into lines, with breaks at the paths, reveal to me a rhyme scheme as yet to be invented, and come to a full stop at the crown of rhubarb.





Friday, 12 January 2024

I Reframe the New Year

I re-started 2024 today. But it's already 12 days in, you may well observe. And so it is.

I started 2024 on schedule, and in London too, thanks to my sons' present of tickets for a family trip to My Neighbour Totoro on New Year's Eve afternoon. It was a spectacularly wonderful, life-affirming production. After the show, I checked my phone - my goddaughter had sent me a message letting me know that  Day 1 of Adriene's 30 Days of Yoga 2024 would start on New Year's Day. I made my resolution - I enjoy Adriene's videos, and I've got out of the habit of bending and balancing. 

The New Year's Eve fun continued when we went to Brasserie Zedel for dinner, as close an experience of Paris as you can get near to Piccadilly Circus. The young people went off to their various celebrations and my Longest-Serving Friend and I wandered through London's lights which were, it has to be said, several cuts above Shrewsbury's, and made sure bedtime was well before midnight. Next morning, we got up and did the Burgess Parkrun. That same New Year's evening, heading back home, my eldest son and his girlfriend shared news of their engagement which came about in the rock room of the Natural History Museum. Such an excellent arrangement of place, timing, metaphor, and materials. Such hopeful, shiny news.

Of course, going back to work on 2nd January has a habit of applying the brakes to New Year momentum. But in the not-work part of my life, I somehow, between all the loveliness of actual New Year and the getting into the business of a day-by-day new year, mislaid resolution. Resolution is (I hardly need to mention) a word which suggests resolve. And the word resolve suggests 'to decide firmly on a course of action' (Google English Dictionary). None of these (decide, firmly, course, action) were thoughts I could lay hold of in those following January days; it's been more a case of unresolve: indecision, apathy, physical and mental wobbliness. 

It was poetry that resolved me. It was poetry in community, and wise, compassionate, playful, poetry at that. At Shrewsbury Poetry, we were lucky enough to host Philip Gross and Steve Griffiths for our first get together of the new year yesterday evening. Among our online poetry community, and among open mic poems which resonated and flowed with the thoughts and feelings emerging, Philip and Steve held a conversation. As with all remarkable conversations, this one shifted something for me. 

If I were to pin the shift down to something, I'd pin it down to this. While Philip was reading his poem 'Of Breath (Thirteen Angels)' I visualised my lungs for the first time as wings ("don't look for it outside") unfurling with each breath. The poem came to me as a winged messenger through the black and white memories of my lungs, x-rayed when I was a child for damage after pneumonia. I could see myself now in full technicolor, complete with "pink and glistening cavities" breathing in oxygen, breathing in life, readying for the brief flight necessary to enter each moment, and this new year. 

If I were to pin it down to something, this re-framing, it would be to this: I got up this morning, dusted off my yoga mat, sat cross-legged and breathed. And this breath has given me a sense of a voice which can "step to the body's window ledge and, briefly, fly".

Happy new year to you, dear reader. Keep breathing.