I set off down the steep gradient of St Mary's Water Lane to the River Severn. It is not so steep as to be too much so. I cycle along the river path, bumping over the cobbled stretch under the bridges upon which Shrewsbury railway station is built. From here it's a flat run out to the weir.
The weir-water is calm and silvery-smooth: recent flooding turbulence is a memory - there's a hint of white froth bubbling the surface where the descending water rejoins the flow of the river.
The path ends in a road and the road runs by the river. Just past the island, a goose is being goosey - stretching its neck and greeting the morning. I pass joggers, cyclists, and early walkers. There are no cars. The air is clear, hopeful.
Often we nod to each other, us early-risers, say, “Hi!” in the conspiracy of those who know that to be up and out on a spring morning is one of the best things, especially as, despite everything being muddled and angry in some places, here the sunlight highlights the whites and pinks of blossom, searches out the lime green of emerging leaves.
The only cars are parked cars. I turn right through sleepy bungalows, and then right again onto the cycle path but then choose left, not the route to the canal path. The sign points to Mount Pleasant, as if that is a state of being that is still possible. A gradual gradient up, and yes, it's pleasant in the cool air, the cindered path just right for a bike, or for a walker, or for a bike and a walker passing going in apparently opposite directions. The walker adjusts his direction slightly, curves leftwards to leave me more space to pass, says, "Hello!".
Crossing the main road at the lights, I take to quiet residential streets for a while - then it's back to a cycle path over the railway bridge and past more houses, stirring into their Saturday. There's no jeopardy even in the last stretch, though it takes me, briefly, onto the main road.
At the radio studios, I chat with Liz, producer, and then Ryan Kennedy, and I catch up, talk poetry, talk the weather, talk the clocks changing. I get to Carol Caffrey's poem, read 'The Moorings'. It's as beautiful as this morning - holds loss, grief: is freefall with light grace, afloat with hope.
https://www.bbc.co.uk/sounds/play/p0736062 - I read Carol's poem at 39 mins 10 seconds
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